Sankofa

Thanks to everyone who joined us for our Kwanza Digital Viewing of ‘Sankofa’ .

Click above to see the trailer.

Presented by

The Culture C.O.-O.P. and Bike City Theatre Company

Our empowering workshop production of this educational and family friendly play was available for free on Vimeo, from December 26 - January 8Sankofa, meaning “go back and fetch it” is a play adapted from the award-winning book by Sandy Lynne Holman ¨Grandpa, is everything Black Bad?"Centered around a young boy, Montsho, who has been deeply affected by the anti-blackness all around him, Sankofa emphasizes the importance of knowing the history of one's cultural heritage. 

If you are interested in future Digital Viewings please email us at:
sandy@cultureco-op.com

Sankofa Digital Viewing Poster by Kristin Ly and V'Santi Tobey
Sankofa Digital Viewing Poster Designed by Han Pham

Feeling low, Montsho arrives at Grandpa's house for their first Kwanzaa celebration, unsure about where all of the negative associations with the color black leave him and his black skin. Grandpa sizes up the situation in an instant and turns to the family Sankofa book.  African diasporic historical figures leap off the pages as they “go back and fetch the past'' telling their remarkable stories of ancient Kemet, barnstormers, Black Wall Street, and more. Aunties and cousins help bring the seven principles of Kwanzaa to life as Montsho journeys from the gumbo pot in the kitchen to the backyard barbecue. Together they strengthen family bonds and rediscover the rich heritage that comes with being of African descent. 

Sankofa addresses anti-blackness while celebrating and honoring wisdom and knowledge from the African diaspora during Kwanzaa. This beautiful story is sure to leave a lasting impression, whether it be one of pride in one’s ancestry, or admiration of the wonders of African diasporic history. 

The first step in a holistic approach to systemic change is through intergenerational and culturally relevant education. This play serves as an entry point for people of all ages and backgrounds to learn about anti-blackness, and other historical and contemporary ism’s. Through this production, the Culture C.O.-O.P. and Bike City Theatre Company seek to start conversations, partnerships, and introduce their larger paradigm for change and services with the community. 

About the Play:

More About The Production

About The Culture C.O.-O.P.

The Culture C.O.-O.P. promotes systemic change, inclusion, equity, cultural competency,  diversity, literacy, and quality education for all. Through our products and services we work with key partners who engage regularly with communities, organizations, businesses, and institutions to reach audiences locally, nationally, and internationally.

About Bike City Theatre Company

Bike City Theatre Company is a non-profit, collectively run theater company based in Davis, CA. Their mission is to create theater that is sustainable, invested in community, and vibrantly, provocatively theatrical. They are a center for new work and creators of bespoke educational theater for young audiences. 

Sankofa was written by Sandy Lynne Holman, Jordan Brownlee, and J.R. Yancher. 

Cast: James Wheatley (Grandpa), Caleb Collier (Montsho), Preston Collier (Cedric), Jasmine Washington (Imani), Corey Winfeild (Richard), Brooklynn Solomon (Aiysha) and V'santi Tobey (NJ).  African Drumming by Charles Frost and - Frost. 

It is under the direction of Edward Jackson (Director) with support from Joseph Fletcher (Producer), and Sara Marsh Krauter PHD (Dramaturg). 

The production team includes Jeleana Johnson (Scenic Design),  AJ Zaragoza Smith (Props Design)  Mari Oyaizu Carson (Costume Design), Sandi Rose (Lighting Design), Ed Lee (Sound Design), Joseph Fletcher (Production Supervisor), Megan Abbanat (Production Manager), Madeline Weissenberg (Stage Manager), Melissa Cunha (Stage Manager), Percy McIlrait (Costume Assistant), and Yooni Chang (Sound Assistant).

Video production by M’ster Lewis (Promotional Editing) and Chani Bockwinkel (Videography and Editing).

Credits

Special Thanks:

  • To the interns at Culture C.O.-O.P. and Staff at Bike City for their help and support; Wendy Lee, Melissa Cunha, Andrea J. Love, Isabella Boren, Mahima Kale, Aditi Jain, V’Santi Tobey, Miquela Savage, and Ulysses Tu. 

  • NJ Mvondo for making the connections that made this collaboration possible.

  • The UCD Department of Theater and Dance

  • Recology

  • Congregation Bet Haverim’s Biberstein Social Action Fund 

  • This workshop production is possible thanks to support from The City of Davis Arts and Cultural Affairs Fund.